Little Cog-burt VS Cotton Candy
In Green Cane and Juicy Flotsam, there are two impressive novels whose name “Little Cog-burt” written by Phyllis Shand Allfrey and “Cotton Candy” composed by Dora Alonso. The special thing here is that between these works have similarities as well as differences in the authors’ background, main characters and the message that the authors want to convey through the two stories.
First of all, the similarity that can be easily recognized is that Phyllis Shand Allfrey and Dora Alonso are women writers who came from the Caribbean. They are both journalist, so they write about various type of people in society. Additionally, they are not only successful writers with many awards but also are zealous activists in their countries. In fact, while Phyllis Shand Allfrey was Minister of Labour and Social Affairs and editor of the Dominica Heard, Dora Alonso was a Cuban active contributor to Latin American journals. If Allfrey’s writing usually focused on labour rights, then Alonso had strongly depiction about marginalized characters and Cuban peasantry’s exploitation.
Although the only similarity between the two main characters is that’s they are all women who have trouble with relationships, they are completely different from the other in culture, background and status in society. Moira in “Little Cog-burt” has a good conditioned life, and the thing that makes she feel irritated is that she does not want to throw a Christmas party for her labored children. In the contrary, Lola in “Cotton Candy” is a virgin lady, who had a lot of fantasy about boys but her dream was “loosening and tightening” because of her mother’s restraint. They both have their own symbolism. If the Christmas tree fairy, which made from Moira’s hair, represents to her ego, then the butterflies in “Cotton Candy” symbolize for Lola’s passion in the past.

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